R. Martin Meckbach Double Top I – 2026

In recent years, another key focus of my work has emerged: the construction of “double top” soundboards using a sandwich-style composite structure.
The foundation for this was laid back in the 1990s, when I had the great fortune to complete my apprenticeship under Antonius Müller at the master workshop of Albert & Müller. To this day, the approaches to sound, materials, and construction pioneered by Toni Müller and Uli Albert continue to shape my understanding of guitar making.
Fifteen years after my apprenticeship, Toni Müller finally shared his technique for constructing laminated soundboards with me during an intensive week of work in his shop — an experience that profoundly broadened my perspective on soundboard construction. It is upon this foundation that I now craft my own double tops.
My construction method adheres closely to Toni’s principles; for instance, I execute all gluing operations — both on and within the soundboard — using traditional natural hide glue.
The design incorporates a lightweight balsa core sandwiched between two finely tuned outer layers, creating lightness through internal air channels. The result is a soundboard that, despite its remarkably low weight, offers exceptional structural stability and an extraordinarily responsive touch.
These instruments react with immediate sensitivity, impress with their long sustain, and simultaneously offer a vast dynamic range.

As with all my guitars, the primary focus here is not on the technical method itself, but rather on the resulting musical outcome. Each of my double tops is a unique, handcrafted creation, built with the specific aim of producing a vibrant and balanced instrument — one that supports the player without ever imposing itself upon them.
And, as always, the guiding principles for my instruments remain the same: a timeless, tasteful aesthetic combined with exceptional playing comfort.

Handcrafted by Martin Meckbach in Diez, Germany